Session nail technician Andrea Fulerton likes a  comprehensive call sheet -- and to know whether lunch is provided (or not!) when she's out and about on location in the name of duty.

I am back in Chicago spending the summer with my now fiancé, Sal.

We've got a lake-front flat and sunshine galore - oh yes, and work! My agent here, Ford Models Artist Division, had me booked on a cover shoot for the local magazine, Chicago Social, or CS as it's more commonly known, for its bi-monthly interiors issue.

We shot at a house in Lincoln Park. I now know what OPI was getting at with Lincoln Park after Dark from its ingeniously Chicago-themed range of varnishes from a few seasons ago. The area is very rich and luxurious - just like the midnight-matte purple lacquer.

Session work here in mid-America isn't much different to working in London - it all begins with your call sheet to tell you all you need to know about the shoot. It will list what the job is for and for what issue. Unfortunately, it doesn't tell you where you can park, how to commute or how long it will take to get there - which can be a bit tricky if you are new in town.

The call sheet will also tell you how many models you will be working on. However, there is no indication whether they have natural nails, artificial extensions or barely any nails at all, which can sometimes call for quick thinking (oh, and some acrylic). Then there's the matter of which colour or look to choose. It would be so helpful if I could just get a clue as to what they are looking for. And will there be any feet on show? I always pack a foot scrub and baby wipes (ideal when things need to be done quickly and water isn't available), along with toenail clippers and a foot file, just in case!

Finally, it's not imperative, but it would also be good to know how many shots the editor and photographer are hoping to get that day, if breakfast is provided as well as lunch (I've been caught short on this one), and if you are shooting outside and suitable clothing is required. The moral is to be prepared and take everything.

I have some personal nail growth of my own. Since I got engaged I now have nails of my own. I have a beautiful ring that is set quite high, so I've been getting used to wearing it and not catching it. I have had to be far more delicate and lady-like and haven't been bashing them around in the bottom of my handbag anymore.

I've also got more daring with my choice of colours.  I went through a phase of Leighton Denny's Viva La Diva, but changed to a perfect coral as the sun came out. When I have a busy week, I wear a low maintenance but still 'there and groomed' hue, such as Essie's Atlantis Pearl. It's a baby pink with a hint of pearl white that is more forgiving when it comes to showing wear and tear.

* Andrea Fulerton is a session nail technician.